The Great DV Shootout 2003
Page 13 of 14

Feature Matrix

 


Canopus DVStorm2 Plus


Pinnacle Pro-ONE RTDV



Matrox RT.X100

Street Price w/shipping $1129 $838

$1025

Software Included Adobe Premiere 6.5, DV Capture, Canopus Xplode for DVStorm, Canopus 3DRT-II, Canopus MPEG Tools, Canopus MediaCruise, Sonic Foundry ACID Style, Ulead DVD Workshop SE, Smartsound Quick Tracks Adobe Premiere 6.5, TitleDeko RT, Hollywood FX RT, Alpha Magic, DV Tools 2, Impression DVD 2.2 SE, SmartSound Quick Tracks, Media Cleaner EZ, T-Rex multimedia file converter (60-day trial) Adobe Premiere 6.5, MediaTools, Sonic Solutions DVDit! SE (free upgrade), Pixélan SpiceRack, Smartsound Quick Tracks
Processor/RAM/OS provided by vendor for testing (all were turnkey systems w/ WindowsXP Pro)

Dual AMD Athlon MP 2200+ 1.79 GHz, 512 MB RAM

Alienware Pentium 4 2.53GHz, 1GB RDRAM

Compaq Evo W4000 Pentium 4 2.4GHz, 512MB RAM

Analog  I/O

Video - S-video (Y/C), composite I/O

Audio – Stereo in/out

Video – S-video (Y/C), composite I/O

Audio – Stereo in/out

Video - S-video (Y/C), composite I/O

Audio – Stereo in/out

Digital Video I/O DV (IEEE-1394) 4-pin DV (IEEE-1394) 6-pin (x2) DV (IEEE-1394) 6-pin

Breakout Box

Yes (5 inch bay), DV, S-Video, Composite

Yes, DV, S-Video, Composite Yes, S-Video, Composite, DV plugs into card
Deck Control - Allows user control a external camera or deck for capture and output DV (IEEE 1394) DV (IEEE 1394) DV (IEEE-1394)

Editing Format  - Format used for source clips while editing

DV format, limited MPEG-2 DV format, MPEG-2

DV, DVCAM, NTSC 4:1:1, PAL 4:1:1 and 4:2:0

Hardware CODEC(s) - Hardware used for compression and decompression of the video source Canopus DV hardware codec Pinnacle Video For Windows DV codec

Matrox Video For Windows DV codec

Aspect Ratio 4:3, 16:9 4:3, 16:9 4:3, 16:9
TV Standards NTSC, PAL NTSC, PAL NTSC, PAL
System requirement for minimal functionality Dual PIII -700 P3 1GHz P3 1GHz
Real Time Video Filters - Filters available in real time

24 (Including color correction, chroma & luma keying)

9 23+ (Including 18-parameter color corrector, proc amp, 3-way color balance, input/output levels, chroma key, Luma key, various DVEs, blurs, particles, distortions, ripples,lens flares, pan & scan, more)
Real Time Titles

18 tracks on test machine(depends on CPU speed) -- static and moving using canned 2D moves

Static, moving, and 3D motion path Static and moving with 3D positioning
Real Time Graphic Overlay (alpha channel) 10+ tracks (depending on CPU speed) Static and moving Static, moving, and 3D motion path

Static and moving with 3D positioning

Simultaneous real time layers possible with tested system 2 video clips, combination of 17 stills/text for a total of 19 layers 2 video clips, one still, or one video clip and 2 stills 2 video clips (but 1 3D at a time or two "basic" 3D DVEs), 2 stills/text
File size limitation editable in Premiere 4GB Size of Disk Size of disk
Maximum number of real-time effects

18 --on our test machine we stacked up 19 layers, all had a fade up or a move, most were graphics or text. 5 layers of video -- depends on processor

6 -- on our test machine, 2 color correction, 2 dve, 2 slow motion -- depends on processor 7 -- on our test machine, four layers (2 video/2 stills) fading up and down, slow motion on each layer and one layer with color correction, etc. -- depends on processor
Real-Time DV timeline output

Yes

Yes Yes
Output Formats

DV, analog video, WMV, QuickTime, MPEG-1, 2,  DVD, DVD on CD

DV, analog video, WMV, QuickTime, MPEG-1,2, DVD, MotionCD DV, MPEG-1, MPEG-2, MediaExport for accelerated Windows Media and Real, QuickTime.
O/S Support Win 98, NT, 2000, Win Me, XP Win98, ME, 2000, XP Windows 2000, XP
Real time “old film look”

Yes

No No
Real time Color Correction

Yes, includes waveform and oscilloscope, also offers YUV-based auto color balance

Limited Yes, 18-parameter 3-way with auto color balance
Real time Chroma and Luma key

Yes

No Yes
Chromakey up-sampling 4:2:2 No real time chromakey 4:4:4
Real time pan & scan filter for aspect ratio conversion between 16:9 and 4:3
No
No
Yes
Field-based Speed change(Slow motion)
Yes
Yes
Yes
Two simultaneous channels of Slow motion
Yes
Yes
Yes
Combine multiple 3D transitions on timeline No Yes No
Combine multiple filters on multiple clips

Yes

Yes

Yes
Multiple capture support Up to 3 simultaneous sources in real time No
No
Real time video output during all effects decisions Yes Yes
Yes
Edge-dragging visible in NTSC monitor

Yes

No Yes
Real time Image Stabilization

No

Yes, but reduces resolution

No

Two simultaneous Picture-in-Picture videos with moving background Yes

Yes

No
Ability to use 3D objects/models as part of 3D transition
Yes, with Xplode, 3D object import from Lightwave or 3ds max

Yes, with Hollywood FX RT

No
Have up to two video and four objects animated in real time Yes

No

No
Advanced keyframing on almost every aspect of 3D effect No, except for 3D PiP

Yes

Yes
Ability to use Bitmaps, .PSD, TIFF as well as .TGA with effects in real-time Yes Yes
Yes
Filtering quality on tight perspective and PIP
Excellent
Good

Excellent

Filtering quality on zoom Good Good

Excellent

Softness on 3D object edges Yes Yes – keyframeable edge softness. on some effects, pre-defined soft edges in Hollywood-FX

Yes, Keyframable

Borders and drop shadows 2D DVE with no softness, 3D DVE with softness and full keyframing 2D DVE – smooth, key-frameable drop shadows

2D and 3D DVE

True drop shadow on graphics/title overlay Yes

Partial -  Drop shadows can be added to titles in TitleDeko-RT

Yes

Page curl keyframeable in true 3D space Yes Yes

Yes

Cropping (adjustable overscan)
Yes
Yes
Yes
WYSIWYG for Adobe After Effects
Yes
No

Yes

Keyframeability
Some

Extensive

Extensive
All layers visible when editing filters No Yes Yes
Accurate positioning of graphics using DVE Yes Yes Yes
Effects applicable to graphics All real time effects applicable to graphics as well as video Yes Yes
Real time single pass DV scan and capture
Yes
No, (scan, select scenes, capture)

Yes, one-step auto-capture utility, captures quickly, accurately and continuously, easiest to use

DV Scan/autocapture applet eliminates pre-roll between each clip Yes No

Yes

View video on NTSC monitor during DV input and output

Yes

No

Yes

Simultaneous 4-channel audio capture
Yes
No, 2 channel

Yes

MPEG-2 I-frame capture and editing Yes, but limited editing Yes

Capture but not editing

MPEG-2 IBP capture from analog for DVD Yes

Yes

Yes


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